![]() The walls are secure, she insists - what could possibly go wrong? If only Pam knew about the new Cirque du Soleil special-edition zombies headed her way. And if that ain’t serious enough, she orders the troops to direct the walker herd toward the city, just so she can lock it down and clear the streets of unrest. Pam is also so furious about Eugene’s escape that she calls Mercer by his first name, Michael. 2, Vickers, who’s been keeping a suspicious eye on Mercer and Miko. Princess manages to make radio contact and lay out the plan, to which Mercer responds with a hearty “Yeeeeeaaaaaahhh.”īut there’s a fly in the ointment: Milton’s No. Thanks to Mercer - who Eugene accurately notes has “joined a long line of people who’ve saved my ass” - the Milton resistance is in full swing. Negan offers to team up with Maggie to go after Pam themselves, but despite proving himself over and over again, Mags stresses that “we’re not a we.” (This, of course, is little more than setup for the upcoming Maggie and Negan spinoff, which, given their still-icy relationship, is unlikely to be the “zombie-apocalypse buddy comedy” we need and deserve.) It’s a bold plan: make radio contact with Mercer en route to the Commonwealth, hope he’ll lend a hand despite his consistent refusal to do so, hide the prisoners, rescue the kids, and overthrow Pam Milton. Speaking of consequences, Daryl will soon regret his decision to dump little RJ on Nabila and bring Judith on the train to, as Negan puts it delicately, take out the bitch. ![]() As with all of these intros, it’s hard to tell what’s significant versus what’s just nostalgic, but it frames Judith as a consequential figure in this episode and makes it clear that the battle of the Commonwealth will be historic. She also unfurls a parchment containing the “Multi-Community Bill of Rights and Freedoms” and refers to a “secret saying” her parents, and now Judith and RJ, use as a good luck charm. There’s always a cost.” Judith reflects on the mother she never knew, the brother she lost too soon, and the struggles of Rick and Michonne to find both peace and mercy. The opening flashback sequence is especially intriguing, as a crate filled with weapons triggers a montage of violence and a warning from Judith: “We’re fighting now for … something bigger, a new beginning. And, it’s no exaggeration to say that both life and limb are literally at risk. ![]() There are children to be saved, a city to be liberated, and a herd of newly-dexterous zombies to be vanquished. No, it’s time for action (well, except for that one heart-to-heart between Zeke and Negan). With only two episodes left, there’s no time for subplots or subtle character development, or philosophical ponderings about what it means to be human in a world overrun by monsters of both the living and the dead varieties.
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